just don't look up

It's been almost 2 years since the "October Storm" that damaged or destroyed more than 80% of the city's trees. It was a night of incredible devastation.



I remember my first glimpse of Bidwell Parkway, where the Farmer's Market pictures were taken. Instead of a the little city forest it had been, it was acres of sticks. Trees with few limbs left, only the largest had survived. Russell said that it wouldn't look as bad once the leaves came out...if they did. And he was right. Walking under the trees, you feel the shade, see the green, hear the soft rustle of leaves in the breeze. All seems well until you look up.







And I realize we have become accustomed to the new landscape. Where there used to be avenues lined with umbrellas of green, now there are sticks of green. Our trees look unruly now, with limbs akimbo and leafy top knots that grow defiantly out of the center with little regard for how things used to be.

Memories of that storm will soften as the years go by. All the stories have been told, all the pictures have been shared.The emergency kits that everyone seemed to get for Christmas that first year are gathering dust.

But the trees will never forget. They still have stories to tell. To hear them, all you need do is look up.

rain date

When I first started doing outdoor shows, I would obsess about the weather. You can get a forecast 30 days in advance now, and I would google every service to see what they were predicting. A bad forecast would churn my stomach. And I never believed the good ones.

Oh sure, I'd mutter at the TV/computer/radio. You say it will be a good weekend, but you guys are never right.

Now I'm a bit more Zen about these things. People do come out in the rain, In fact, the prevailing wisdom is that true shoppers come out and the dog walkers and stroller brigades stay home. That may be true, but it's still best to have a diverse, festive crowd.

The forecast for this weekend:



Bummer.

Makes me remember the Syracuse show last year. It seems to always rain at some point during the Syracuse show. If it's a downpour, the crowd disperses and you pull your curtains down to protect the artwork. You wait it out, hoping the canopy doesn't cave in or spring a leak.



Then you hope that all those people who disappeared in a flash are waiting it out in a restaurant or something and will reappear as magically. Often they do, and the show goes on.

We are a hardy bunch up here in Western New York. Takes more than a rain storm or some snow flakes to scare us off.

That's what I'm counting on.

saturday

A beautiful Summer Saturday, no show to set up, a dog hungry for canine companionship...we checked out the neighborhood farmer's market. ..



Russ and Jake meet up with friends, Victory and Frank, while music played in the park behind them.



There were booths of fruit and flowers



and organic veggies



There was some clowning around



and a fiddler...on the roots? *groan*



How about a "peace" of cake.....



.from this bake sale?



It was a play day..



A day to chill and soak up the sun and be content in the company of friends..



A friend writes a blog called "rurality". I guess this is "urbanality" ,

City living...love it.

and now back to the attic.

early bird

I love morning. It's fresh. I like the angle of the sun and the way it dapples the street through the trees. Later, it will be higher in the sky and not quite so gentle. It makes me think of art show mornings and why I like them so much. The artists are setting up in the new light. There is that morning smell of grass and dew mixed with coffee and the aroma of onions frying.

Behind the tents, there is joking and moaning and laughing and bitching. Bagels are unwrapped. I like the 2nd day best. When you unzip the back of your booth and step into your personal little piece of the world. Quiet. Welcoming. I never felt that way walking into my office in the morning when I had a "real" job. I like the empty streets with the booths waiting for the fun to begin. It's like theater when the patrons are seated and the cast is in place behind the curtain and the conductor lifts the baton. Anticipation.



Soon enough the people will come and fill the streets. We will watch them from our perches inside or beside our booths, hoping they slow down, step in and see something they like. That's what was nice about the "real" job. If you did what was expected, you got paid. No such guarantee in this business. You can work your heart out and still not make enough to pay the mortgage.

It all depends on them. The people who fill the streets.



In the early morning, it all seems possible.

Allentown favorites

Favorite customers: Most favorite was the young girl, maybe 11 or 12, reed thin with silky long hair, wearing an oversized t- shirt that read "If I were 18 I'd vote for Obama". A huge Obama button was pinned to the hem of the shirt which came to her knees. She selected a journal and told me she always bought my books and was glad to find me. Then she informed me, with a serious expression, that she went to a lot of these shows and I was almost her favorite artist. "Definitely in the top 3", she declared. Loved her. Another sweet pre-teen girl who buys my books "all the time" told me I should make them fatter because she fills them up right away.

We should be able to adopt our customers.

Favorite colleague moment: We were set up next to a couple that we have come to know over the years from doing a lot of the same shows. Early on the second day I was taking pictures of my booth before the show started. She came and stood beside me, chatting and joking. And then she told me that she had watched my work evolve over the years and she was really impressed by how far I had come. She went into detail about color and composition. It was praise from a peer and you can't overstate how much that means. I gave her a big hug and told her so. Made my day. Heck, it made my year!

Favorite legal argument: A woman who set up on the steps of a house across from us to play her drum and chant and sell meditation DVD's was being shagged away because she didn't have a permit to sing and sell. I'm usually in favor of letting people express themselves as long as they aren't offensive, but you know, the Hare Krishna chant only has about 3 variations, none of them particularly distinguishable from another, so by the time the cops came to silence her bongos, I was rather ready for her to gather her robes and go. We had already dealt with a building alarm that rang nonstop for hours in the morning, but that at least was on key. She lost her serenity after debating her rights with the police for quite a while, finally shouting "Every time you've told us to move today, we moved!" I sensed an inability to comprehend.

Favorite lunch: Chicken salad and dressed field greens from Cafe 59.

Sometimes it's the little things.

Allentown, the real story

The real story is that the Allentown Village Society runs their show like a boot camp and I, for one, actually appreciate it. They enforce the rules with a zero tolerance policy that many find oppressive. Not me. I read the contract. I follow the rules. I do what I am told. I will be a good, rule-following exhibitor and they will provide me tons of customers, a controlled environment and the opportunity to participate in a well-respected art festival. Works for me.

Buffalonians come out in droves for this show. Not all are there to buy. Some are there to watch the other people and to eat at the restaurants and meet up with friends. It is the start of Summer.

Weather was great, I had terrific "neighbors", many friends came by to see me, a friend in the neighborhood threw a huge open house party that I was able to sneak off to for an amazing lunch. It was a good weekend.

Ever wonder what goes on behind those white canopies that line the streets during an art show? Well, here's the real story:




Hey, art shows are hard work!

Next up...my favorite customers and encouraging words from a fellow art gypsy.

overheard at Allentown

I'll write about the show for real tomorrow, but about 5 or 6 of us got to laughing today about the things customers say. It started when I told them the story of the woman Saturday who was helping her son pick out one of my miniature book pins as a teacher gift. They were debating colors and stuff and her son said "that one" and the woman said, no, that one was ugly.

I was standing beside her. Me, the person who was responsible for unleashing ugly on the world.

So, I joked and said "Oh now, you don't mean ugly, just not as nice as the others" he ha ha

"No" she said, stone-faced. "It's ugly"

Alrighty then. I'll be over here in the corner whimpering.

This started a flurry of stories...artists poking out from the backs of their canopies to join in.

"Do you have any more of these in the back?"
"Well, actually, we don't have a 'back'. Everything is one of a kind."
"Well, do you have 6 of this kind??"

"You make these yourself?"
"Yes, I do"
"Really?"
"Yes, are you surprised?"
"Yeah, you don't look talented"

"Do I get a discount if I buy two?"
"No, It isn't any faster for me to make two than one"
"But it's faster to sell two at a time"

"Can I get an end-of-show discount on this?
"It's only noon."
"Yeah, noon of the last day"
"No, sorry, I still have time to sell them"
"Well, lotsa luck. I'll be back at 6"

Good times.

It was a good show. Details tomorrow. My feet are so swollen it looks like I'm wearing little hams on my feet.

Ah, the glamour of the art business.

tim

I was dashing, dashing, running, muttering, usual pre-show chaos when the voice on the NPR station broke into my thoughts with the news. He was reading a list of accomplishments of someone and I thought "sounds like Tim Russert" and I stopped cold with my hand on the back door knob thinking:"Don't say it, don't say it"...but he did. Gone at 58, this family man, honorable man, Buffalo's favorite son.

I am so very sad. Never met you. Felt like I knew you, though.

You were so proud of your hometown and we were so proud of you.

The saddest thing is that you won't be here for the election. No white board with "Florida" scrawled on it. How you would have loved to see this historic race play out. Maybe you will. We mortals don't know everything.

Good rest, Mr. Russert. Your life was well-lived. We will miss you.

split personality

Upstairs to the studio, basement for the laundry, kitchen to load the dishwasher, back to the studio, shower for work, 3 hours at the theater feels like a vacation, home to the studio, watch TV while putting cards in their plastic jackets, up tp bed where I count things to do in the morning instead of sheep, up at 5:30 for 2 coffees before up to the studio again, on and on. 36 hours until Allentown and I am suffering split personality disorder. Next I'll be collaging the glasses, putting books in the dishwasher and trying to sell "Wicked" tickets to the mailman.

In honor of this phenomenon, I present to you the poster for this year's Allentown Art Festival. Looks just like me.



Back to the studio. Or am I supposed to be in the shower? What day is it?

pride

Took a break this afternoon and caught the Gay Pride parade. We are often at shows when the parade happens so I was happy to be free to see it. The main route is jut 2 blocks away, so we grabbed out cameras and went.

As always, the parade was colorful. A celebration and a message. Pride and frustration. Humor and defiance. Music. Drums. Cheers. Laughter. Every year the parade gets longer. The Mayor marched. Police led the way. Rainbow flags were on the lamposts.Could it have happened like this even 20 years ago?




The whole albums of photos can be found over there in "photos" ----> under "parade"

I love a parade. Especially parades that celebrate love. A fine way to spend a sunny Sunday afternoon.

musical note

We were packing up at Kenan. So was the band. They had wonderful music all weekend. The stage was in the center of the venue, close to our booth, so we got to really enjoy it. I usually hate having music right near me at a show because it is often too loud, but not this weekend. As the last day came to a close, the venue was pretty empty and we got to step out and really enjoy them. It was then we finally applauded a bit and one of the guys said "Wow! That doesn't happen often". Made me realize that even though the musicians are right there, we process them as background. So we all made an attempt to clap like crazy after every song from then on. :) The guys loved it.

Anyway, as I'm packing, one of the musicians stopped in and said he had wanted to get a journal for his daughter but it was gone. Could he go through the ones that were left? Of course. We just packed up around him. He picked one out and asked how much it was and I asked if he would accept it as a gift from me, in appreciation of the entertainment he had provided for the last few hours. (I am not telling this story so that you can think what a super person I am. I'm telling it because of what came next.)

Truth: He clasped the book to his chest and said, with an expression one would use if the gift I had just given him was a 47inch plasma TV, "Really??Are you serious?" I told him I certainly was and I said again how much we had enjoyed them and that he had given me a much bigger gift than I had just given him. He got misty. He shook my hand. Then he hugged me. Told me I would never understand how much that meant.

Now, I will admit to you that I am a very emotional person. I cry at every movie I go to. I start when the Pepsi is dancing with the popcorn. I am no stranger to emotion, but I was surprised by him. I thought maybe it was the heat.

And then he said "You study and practice for years and then you wonder if anyone ever really hears you".

OK, that choked me up just now. See?

The point I'm making here is this. Next time you are at an event with real musicians making real music in the background somewhere, stop. Look at them. Listen. Applaud. Smile.

Let them know you hear them.

ore-gone

Not all happy news this weekend. The show I did last year in Oregon has me on the wait list. I need to tell them if I want to be there or not. They say I probably won't know whether they have a spot for me until a few days before the show.

Now I have not totally lost whatever good sense I had left. We do not drive 2500 miles and back to do a 2 day festival. All the kids are out there. Russell's 3 are in Oregon where the festival is and my son is in the San Juan Islands off the coast of Washington. We spend September there.

I've had mixed feelings about doing this show, although it is a really nice one. I was unprepared for how big it was and we pretty much ran out of product by early the 2nd day. The youngest, Max, is traveling with us this year. He is flying out and then doing the road trip back with the old folks. The show would have most likely paid for our gas at least, but the van would have been crowded for Max and Jake the Wonder Dog. If we are not schlepping our show stuff, they each get a row in the van to stretch out. I really want this trip to be special for Max. How often do you get to travel with the kids once they've grown?

I guess I will respond that if they can let me know by the end of July, I'll stay on the list. If I don't hear from them, I'll figure out another way to pay for the gas. Like mortgage the house or hijack an armored car.

99 american craftsmen and me

What a great weekend. Most of my favorite art show cronies do this show and, since it is the first one of the year, it is like a reunion or something. Dayna's grandaughter is walking, Leah and Ken both took nasty falls this Winter but are fine now, Cheryl is still excited about Obama, Linda and her daughter are doing Chautauqua when we are and will try to get a room at the same motel that weekend, Marsha gave up on the long, straight hair thing and got a great cut. And so it goes. Friends who come together 6 times a year or so but feel like they were just together last week.

I will admit to being very fond of the Kenan Center and the shows they host twice a year. When I am lucky, I get to do both. They bookend my season. It's not just the beauty of the house and grounds, it is the organization of the shows and how they promote and run them. No, it's not all perfect, but in this business of art, it is one of the best.

There were few disasters. Our booth went up in record time, we left nothing home that required a quick u-turn, I brought enough change. These are big accomplishments in my world. Some of my favorite customers came to see me and buy stuff. I saw friends and relatives. The exhibitors around us were fun and didn't do any weird stuff like play loud country music or encroach on my space or have whispered arguments I had to pretend not to hear.

All in all, 2 1/2 lovely days. Chalk one up for art show over desk job.

I wanted to have pictures, but the ones I took were really pretty bad. Next show. Allentown. For sure there will be interesting photos from that one.

Now I just have to make enough stuff...again..with not much time to do it...again.

I live for stress.

half time report

100 American is going really well. Maybe the stinky economy isn't going to drive us all into desk jobs after all.

I wish I could wrap up the customers that come to Kenan and let them out for all the rest of the shows. Smart, friendly, funny, willing to spend money on craft, informed.

Same for the organizers of the show. Tomorrow at breakfast, some artists will complain about one thing or another, but it can't be about advertising, booth spots, amenities, volunteers, quality of work or just plain working hard for us. Other than following the customers around with weapons and forcing them to spend upon penalty of death, I think they cover all the bases.

Need to soak my old, tired body. Full report later. Pictures, too.

you light up my van

We started early this morning, determined to have our set-up for this weekend's show go smoothly, on schedule, organized, uneventful. Ha! If you want to make God laugh, make plans. He is hysterical tonight.

We got to the rental place to pick up pipe and drape for our booth. Never heard of us. Uh huh. Many indecipherable walkie talkie convos ensued. Calls were made and not answered. Busy signals echoed against the warehouse walls. Finally I said to just call us when they got it worked out, we had until 4. And we went off to do other things.

PIcked up miscellaneous supplies with no drama. Tried to find new shoes. Lots of drama. My feet don't want shoes on them. They fight me. I gave up. We had lunch at Olive Garden where the rental place found us and announced that they had our stuff. OK, this is good. Picked up the rest of our stuff at home and headed to Lockport.

Oh, I love the Kenan show. It's like coming home. Many old friends to see. Easy set up. That went so smoothly I was feeling smug. God was snickering. We left, expecting to be home by 8:30. A luxury. 20 minutes later, halfway home, I ask Russell where our card spinner is and we realize we left it outside. It was supposed to be in the van because we need to repaint it. So, OK, we turn around, head back. So it adds a half hour. No biggie.

Head back home again. Making plans for the evening. God gets the giggles. We stop at Mighty Taco for a roastitio. The night is looking good. Hop on the highway . A van near us honks and waves. We wave back. He honks again, gesturing. I roll down the window. He tells us we have no rear lights. Russell pulls off at the next exit and into a gas station, followed by another guy who wanted to tell us we had no back lights. (Is this a guy thing?)

The fuse box is located but provides no info. Triple A can only tow us. The clerk in the gas station can't get a mechanic but she can loan Russ a flashlight to double check that the fuse box provides no info. The triple A guy says if we are near a Wal-Mart, we can get fuses. We look up and, in the night sky, see the sign. Wally World. A block away. Divine intervention? Was that always there? Hmmmm.

Russ goes into the store and I follow, but head for shoes. And it is there, trying on a pair of 8 dollar sandals, that my cell rings and Russ says he has fixed it. I am surpi....impressed. Very impressed. And off we go. To be home at midnight, not 8:30, but it's OK.

There were other things. My printer defied every command I gave it this afternoon. Took hours to print up the basics I need for the show. I will only have a few journals with lines because of that. What can you do?

Our internet connection died for reasons Time warner could not decipher, even after an hour of plugging and unplugging and restarting. In the long card ride home I had a vision that perhaps I should connect the modem directly to the 'puter because it might be the AiPort thingy and I was right.

I'm going to go to bed before anything else gets screwed up. Tomorrow is Kenan, the show that really starts the season for us. Everything else is just the overture.

I will make no plans. Promise.

take me to the water

OK, it's Memorial Day and I need to be by the water. The city finally got the 1st phase of the Erie Canal part of the new waterfront plan finished so we went down to see it. Loved it. Especially considering how hard the citizens had to work to keep the faith with it. They wanted to demolish the original canal walls they discovered while excavating the site. Something about how the harsh Winters would crumble them. Yes, there was the sound of crickets after that especially erudite pronouncement. The community stepped forward and slapped them into lucidity and the plan to maintain as much of the history as possible went forward. Until Bass Pro decided they wanted to build their big box store on the main concourse/festival part of the new design and they were actually going to let them do it. More slapping ensued. I am very proud of the people who live here and love their hometown and "get it". It is hard work, maintaining integrity.

So the city that owns the terminus of the Erie Canal actually now has a place for people to visit it. The towns along the canal in central NY embrace the thing, we ignored it. I guess we had this big lake and ginormous river to deal with, so the canal was ignored? No more.



And then, at the marina, they tore a hole in the wall that kept the people away from the water and made a little beach to hang out on. No swimming. This is, after all, the Niagara River and we all know where that baby ends up a few miles down.



But still, sand in my shoes, gentle waves to lap my toes. I'll take it.

All in all, a good day for water-loving Buffalonians. Tough to live on a virtual peninsula and beg for access to the water. Things are looking up. Soon you won't have to drive 15 minutes to actually get in the water. One can only dream.

To see my canal/beach pictures click over there----->on, yes, canal/beach.

Break over, back to the attic.

view from the porch

I was busy in the attic, making a collage for a book cover, when I became aware of unexpected movement on the street below. Sunday mornings on this avenue are usually pretty quiet, except for the occasional marathon. And sure enough, it was a marathon morning. I called to Jake that we were going on the porch and I heard his click-clacky nails on the stairs. (I delude myself that he knows the word "porch", but the word he probably knows is "go").

Traffic was stopped, so all you heard as the runners emerged through the trees was the rhythm of their feet, soft and strong.



A traffic cop was on guard to keep any wayward cars from competing with the runners and they made their way in dappled sunlight, quietly, determined and focused. I envied them their energy and good knees.



You know, I think Winter truly is over.

looking for luck in all the wrong places

OK, so in my ongoing, one-woman crusade to bring sanity to the art show world (a thankless job, but needs to be done), let's look at yet another little doo-dad that manages to worm its way into many art/craft shows despite the fact that it is not crafted and it certainly isn't art.

Lucky Bamboo.

Yes, I see you hanging your head, hoping I don't see you out there. You bought some, didn't you? Couldn't resist the curly little stalks and what if it DOES bring luck? Right? Besides, it was so cheap and it came in a pot/glass/crock/bucket/vase/cup! Sigh.

For the unititiated (and, apparently unlucky), this is lucky bamboo:



I know. Takes your breath away. Actually, the stalks are usually sold in bunches of 3-4 or more, so the display of botanical artistry is not quite as pathetic as the picture would have you think. Almost, but not quite.

Now here's the thing. You don't just pull up your van on the morning of an art show and set up a table. There are requirements. There are standards. There are rules like "must be made by the artist". Slides are submitted. Artist "statements" written. Description of process is a biggie. What do the purveyors of botanical totems submit? Hmmm...

"The lucky bamboo pictured in the enclosed slides is grown in my home garden, under a handcrafted pergola covered in handwoven cane, harvested by me wearing a handcrafted caftan of fibers gathered on my sheep farm and handwoven on my loom. I trim the plants according to established artistic protocol, utilizing traditional standards of form and symmetry. Then I stick them in a 50 cent vase from Wal-Mart"

Or something like that. The reality is that the stalks are 42 cents wholesale and vendors sell them with a 500% markup and people buy them like crazy. I know. These silly things are fun to buy at festivals I get that. What I don't get, and never will, is why I have to jump through hoops with essays and slides when the bamboo-zlers (thanks to Conard for the play on words) somehow qualify to exhibit next to me.

OK, end of sermon and confession time. I bought lucky bamboo last year. At the Kenan Christmas show. (if you live within 2 hours of upstate NY, this is not to be missed).Now, granted, what I was really buying was the beautiful hand-etched glass vase it came in. But it looked pretty on the tiny table by my bed, under the collection of B&W photos by John Parasack. It pleased me. But it did not please our resident art critic, who promptly removed the offending stalks from the pretty vase, stripped the leaves and left the stalks to wither. I think I need to have a talk with said critic, since, contrary to what he thinks, he does not rule the house.



He doesn't look worried.

mirror, mirror...

I came up with this idea just before Christmas '06 and quickly made some to bring to Women's Gifts. They were a hit, so I worked on technique and design over the Winter. They were popular at last Summer's outdoor shows, too. There is a steep learning curve here and I have a long way to go with them.

Basically, you need a plain wooden mirror or you can cut your own wood and glass and make your own base mirror. We do both.Then you apply a raised design to the wood. There are many ways to do this. You can apply cut shapes, draw with wax or 3D paint, anything that will make a raised design that holds up to pressing and shaping the paper that will go over it. The paper you use has to be the kind that you can bring down to a pliable state with water or PVA or meth cell or a combination of them. I like mulberry or lokta the best. You apply a thin coat of whichever adhesive you're using to the back of the paper. I like to use an old credit card to spread an even coat.



I sometimes spray this very lightly with water to keep the paper soft during the application. When the paper is first applied, it looks pretty hopeless.



But then you start to press the paper into the design. You can use your palm, a bone folder, the round part of a brush handle, the bristles of the brush, a combination of all those things. You need to get the paper tight against the opening and solidly cast to the design. (This is a different mirror at the same stage and with a similar design.)



Now the fun starts. On this mirror, I sealed it with poly-crylic (you can't paint on the paper unless you seal it because the paper just soaks up the paint on contact) and used acrylic paints in purple, green, white and cream and glazes in copper, bronze and gold. I use thinner and a soft cloth to blend the paints. This is what I got:



I like this one. It has a feel of stone and metal combined. It looks old, like the patina developed over time. And it's just paper! Very cool, I think.

It just needs to have the mirror placed and then I finish the back with a dust cover and a hanger. There ya go. It will make me happy when people come up to it, gingerly touch it with a finger tip and say "This is paper??" That's the best part.

back to work

I actually think I'm finally all better. I didn't quite realize how sick I was. Looking back at the weekend in Virginia, I see it. Cold showers to bring the fever down, unable to walk a short distance without my legs giving out. Sleeping, sleeping, thirsty. Yikes. It's taken another week to come up from under the fog, but here I am. People who make all or most of their income on the art show circuit fear illness, not because you feel lousy, but because you might not be able to work. It's not like my old government job with paid sick days that allowed you the luxury of burrowing under the covers and whining when you got sick.There's no whining in the festival business. You get out there and tough it out. Remember that the next time an artist at a show seems grumpy to you. He might be unwell. Of course, he might also be a jerk.

So, anyway, happy to be feeling better, I worked on some mirrors. But first I took Jake to the dog park.



He made friends, I breathed in the sweet air of Spring and watched the first hardy boaters make their way down the river. Felt good.

I think the mirrors are cast paper. That's what I call them, anyway. Paper is cast to a form, so not sure what else they could be. Over the years I have come to love the properties of paper and paper pulp, experimenting to see what I can make the material do. I'm going to post on how they are made next. Now, as usual, the nitty gritty details will be missing because, although I tend to be a bit of a Pollyanna most of the time, I have yet to hitch a ride on the proverbial turnip truck and therefore cannot be said to have just fallen off said truck yesterday. I haven't seen anyone else do these. Having something unusual is really important in this business. I'm not about to divulge any secrets. But people are curious about them, so I'm going to allow a peek.

The journals are my babies, but you have to be so precise when you are making them. The mirrors and bowls are just fun. No rules, no measurements, nothing has to fit. It is what it is. I need something like that or risk having the book-making become drudgery. And I like playing with paint and glaze and micro powders and generally making a mess.

OK, off to scrape said paints, glazes, et al from my person. Then I'll post the tutorial.

art festival irritant #2

Wooden roses will be number one this season, I'm thinking. Right behind them, will be the dreaded kettle corn invasion.



Let me tell you why many art show artists hate kettle corn. If the promoters have set the up the kettle near the art booths, you will waste a lot of time sweeping out the popcorn that floats and skitters for blocks, usually coming to rest inside your tent. If you are set up within 20 feet of them, your booth will be shrouded in smoke/steam and your product will take on the sticky sweet smell of the corn. And then there is the line of people waiting to buy the stuff, blocking the front of your display and effectively rendering you invisible.

But the number one reason many art festival artists hate this ubiquitous snack (I'm sounding like Letterman here) is that invariably a customer will comment that your prices are too high as she digs her fist into a 15 dollar bag of kettle corn.

Some friends are doing the Lilac Festival weekends and one of them commented on slow sales but noted that there was no shortage of folks munching on 5 dollar cones of french fries.

I love to snag a snack at festivals, especially when it is something that I don't get to eat any other time. (chicken "French" folks I'm looking at you..) I totally understand the allure of junk food consumed outside while walking along the sidewalk in the Summer air. The smell of hot dogs grilling. Lemon. Those waffle thingies that you sprinkle sugar on. It's all part pf the celebration. It's also competition for the dollars to be spent that day.

Maybe the art show promoters could be convinced to bring in snacks like tofu nuggets and squid "French" and turnip fries.

And no kettle corn.

she lives

This tree grows at the tip of the corner upon which our old house stands. I doubt that she is as old as the house, but she's no sapling. Her beautiful display every Spring always gladdens my heart. But we almost lost her during the October storm and last Spring I thought her will to bloom had died.

The day of the storm, I had gone off to work with no coat. It was a cool Fall morning. When the temperature dropped and the sleet started, I thought my biggest problem was going to be the hundred feet from the back of the theater to my car. But on the way home I already had been detoured by fallen limbs and the snow was falling in clumps and the sprawling, meandering branches of the corner tree lay heavy on the sidewalk and I felt the pain of it in my gut. With no coat, only a long scarf I snagged from the back seat wrapped around my head and neck, I ran to save her somehow but it felt like a losing battle. I shook the limbs and some of them rose up a bit. Encouraged, I went around to the others, shaking branches, jumping up into the center to dislodge the heavy coating. Snow fell into my collar, down my back, my hair was plastered to my head. I dashed into the house for a coat, and by the time I came back out, the tree was loaded down again and the branches were back on the sidewalk. I took a broom to it, swinging it like a wild woman from beneath it's canopy, ignoring the wet snow that covered me, unaware of how absurd I must look. I would get enough snow off one side to get the branches up and by the time I did the other side, the first side was collapsed against the walk again. I felt powerless and angry and sure I would lose this cherished tree. Shivering and sad, I went in and told myself it was just a tree, for cripes sake. There was nothing I could do.

During the night, along with everyone else in the city, I listened to trees snap, the sound like breaking bones, heard the whoosh as they fell into the snow. With no light, no heat, the long hours til dawn were interminable. The devastation in the morning was so vast, so incomprehensible, my little flower tree on the corner became just one of many heartbreaks, the realities of the cleanup taking precedence over sentiment.

A few days later, Russell said he thought a major limb of the tree had to go and that it might be more than the rest of it could bear. We might lose the tree. He removed a huge piece from its very center and we hoped for the best.

She didn't die, but the next year, when May came, it was a sad sight. Some buds came, but few opened. Leaves came, but sparingly and they were dry and looked spent before they had been out a week. We trimmed branches as if that would help. I thought the days of glorious Spring color were over and it made me sad. For 10 years, that explosion of pink outside the front window meant the end of Winter. It used to be against a backdrop of the white blossoms on the street behind it, but we lost those to the chain saws.

So, last week when Russell asked me if I had seen the tree, I expected more bad news. But he said she was loaded with buds. Yes, but would they open? When we came back from Virginia, there she stood, welcoming us home, full of flowers and life and Spring.

An expert said that our trees had been traumatized and that it might take a year or 2 for the survivors to come back. I guess that's all it is. But to me it is an old girl, bowed and broken, raising her arms once again to the sun, offering her beautiful blossoms. It is joy.

heading home

We left Richmond and drove a few hours to get a start on our journey home. So here we are in Hagerstown MD at a lovely Hampton Inn to which we escaped after almost being incarcerated in a cheap-o motel with low ceilings, metal doors, indoor/outdoor carpeting and so much room deodorizer that the stench filled the hallway as soon as you opened the door. We wanted a place where we could have a peaceful morning, watch the Today show, have coffee and take off rested. That place would have had us on the road by 5 just to maintain my sanity. We made a vow a while ago never to stay at a roach motel just to save 20 bucks. We renewed our vows last night.

Anyway, I'm drinking coffee, propped up in the creamy bedding and blogging. And contemplating whether it was really dumb to spend so much on a show in times like these. It was really expensive to do Richmond. Hotels, gas, meals. Aaargh. We'll be lucky to get home without being in the red. I love this show for many reasons, one of which used to be good sales. Well, all the other reasons (great setting, lots of people, responsible, dedicated organizers) just don't matter if sales aren't there. And they weren't. For anyone. Well, except for the wooden roses people.

Let me tell you about the wooden roses. Every couple of years a fad infects the art and craft circuit like kudzu. Weathervanes, lucky bamboo, root baskets, wooden roses. These are items purchased at insanely low prices from China or somewhere and passed off as handcrafted by the seller. The latest is wooden roses.



They cost 6 cents apiece and sellers charge about $15 a dozen. They come in colors, they come scented. And people buy them like crazy for some reason. The first time I saw them, every other person passing us had a bunch. With that kind of markup, the guy made enough to buy a house that day.

So, Saturday, when the roses people set up next to a ceramicist, her immediate reaction was "Oh, no you don't!" The line outside the roses booth extended past her booth, blocking her customers. She notified the organizers and they said they needed proof. She marshalled her forces to go Google the needed info and they came through with enough evidence for the committee to come tell the folks they had to leave. Yay! Right? Wrong. They wouldn't leave. Kept selling and selling for the next half hour until the police came to remove them. The organizers said the rose creeps had sent in a photo of "the artist" painting the tip of one of the roses. Sigh.

Kudos to Pat Lovelace and her crew. Many, many promoters would have shrugged it off and said there was nothing they could do.

Most artists we spoke to had poor sales this weekend. One who starts his year early in the Southern circuit said all his shows have been down 50%. Yikes! I don't usually listen to that stuff. If there's anything art show artists like more than free coffee and danish, it's bemoaning the fate of their industry. I started over 10 years ago and they were griping then, forecasting gloom and doom.

So, what explains this bad show? I dunno. I was hoping that the gas prices might keep people closer to home (except for nut jobs like us) and they would spend their vacation money on other fun things like art festivals. Sounded good to me!

Oh well, some folks sold nothing, We, at least, sold enough to finance our jaunt into a warm climate for a couple of days, got to try out and tweak our new booth design which worked great, tested some new designs which turned out to be popular and met wonderful people. Could be worse.

Now, home to Jake the wonder dog, who has been "suffering" without us in the loving home of our neighbors, Marie and Jolene. Home to start getting ready for the next show.

And on we go...

morning story

Russell is into eating healthy. Way in. He juices. Greens, carrots, garlic, celery, name it. Whrrrrrrr. Every morning our house is fragrant with the aroma of fresh veggies ground into pulp.

He brought his juicer with him on this trip. Forgot a knife, though. The hotel said they couldn't let him borrow a knife (Patriot Act, I guess) but he could bring his juicer into the breakfast room and use whatever he wanted. Nice.

Did I mention this is NASCAR weekend? That the luggage of choice is matching beer coolers? He goes down with his veggies and his juicer. The room is packed with NASCAR guys. He says he doesn't think they were into juicing because they seemed puzzled.

No. Really? I am not a NASCAR guy and a man cutting veggies and running them through a juicer in the hotel breakfast room just might peak my curiosity.

Russell, of course, is blissfully unaware of being unusual. He just is Russell. The love of my life. :)

angels on the powhite

There is a major highway here called the Powhite Parkway. Try to say that out loud and NOT sound Southern. :)

We had to take the Powhite to our show. It is sometimes called 76 and sometimes 195. The guy at the desk pooh-poohed our mapquest directions and directed us the other way. Which was, of course, the wrong way and we bear part of the responsibility because when he never heard of Byrd park which is downtown, 7 miles away and quite the big deal, a warning bell should have gone off. He said he wasn't a park person. But we took his short cut behind Olive Garden and headed out. The wrong way.

The first turn off was to be after 5 miles and we went 8 with a serendipitous belief in desk clerks and with a certain understanding of the vagaries of mapquest and the Virginia highway sign department. Russell says we should turn around. I say give it 2 more miles. But this terrain is not at all familiar and I know we are lost. He is the anti-guy-stereotype. He loves to ask directions. He has chased frightened people down the street, waving his arms and calling "excuse me? excuse me?" I like to use the iPhone or a map. He always gets us there, I never do.

We are winding our way through a lovely, wooded neighborhood and finally pull into a driveway to turn around. Russ spots people at the top of the drive and gets excited about asking directions and pulls all the way in. It is a very long driveway so they have a few seconds to get concerned and puzzled about this NY car disrupting their quiet morning.He hops out, all smiles and Russell-ness. They furrow their brows. I can't hear him, but I see him gesturing and pointing and then I think I see the guy say "That's where we are going" No. How odd would that be. But when Russell gets back in, he says that is indeed the case and we are to follow them We have trouble calculating the odds of this happening. There may be no formula.

We follow our angels back in the right direction, to our area of the park, to our spot which is just a few away from them.

I'm still shaking my head. I wish I could say sales were miraculous, too, but everyone was commenting on how slow the show was and there seemed to be fewer people in attendance than in the past.

Oh well, perhaps today will be better. If we can find the place.

road warriors

I'm still trying to figure out how it took 12 hrs to go 423 miles. I slept most of the way. Did Russell start daydreaming and forget to press down on the gas pedal?

Anyway..I got a call while we were apparently taking our own sweet time crossing the Mason-Dixon line. Roycroft. What were they thinking? They couldn't have a show without me. Why, the very idea made them shudder. This had to be corrected immediately and heads were gonna roll, I tell ya. The nerve to put someone as wonderful as me on a wait list! How could they ever make it up to me?

Well, it was something like that. Or somebody dropped out. One of those. So, the schedule gets fuller. Cool.

Off to navigate Richmond..City of No Signage...we will have to find the Powhite Pkwy which will not be identified and take an exit that will have no number, even though mapquest thinks it does.

Another show begins. And I am actually feeling the tiniest bit better. I am encouraged.

early morning fever dreams

OK, so I've been fighting this flu thing since Tuesday. Fever, tired, headache, achy. Great timing, eh? But Russell is packing the van and we are soldiering on. The biggest problem is that I fell behind on finishing stuff which breaks my heart. I won't have that funky wall of mirrors I designed the booth around. Bummer.

A cool shower, a big gulp of OJ and I'll be ready to hit the road.

Oh, geez, I didn't pack......

view from the mail slot

So, let's see. What did we get in the mail today? 10% off coupon for Macy's. Yeah, like that helps afford anything there lately. LL Bean catalog. Again. There is a collage of thermal underwear and rubber shoes there just waiting for inspiration. Cable bill. Why do we have so many channels when we hardly watch any of them? Make a note to review cable requirements. Oh. What's this? It's addressed to me in my own handwriting. That can only mean one thing. A decision from a show. And it's from Chautauqua.

Now let me explain why I seem to care so much about this particular show. Yes, the Roycroft wait list thing blew a cannon ball hole in my schedule, but I was on the hunt for a show or 2 to replace it. And the Institute has to be the most perfect place to sell jounals! But that's not the whole reason.

See, back when I first started, maybe 10 years or so, I was blissfully naive about shows and which ones were harder to get into than others. So, I applied to anything that seemed to be in a fun, artsy place and I got rejected. A lot. Eventually I learned to research the shows and I also improved my work. Most of the shows that didn't choose me back then did so with a certain morsel of charm, but not Chautauqua. A half sheet of paper, torn by hand unevenly. The 2 shows--July and August--with 3 choices beneath them: accepted/declined/waitlist. That slash of yellow over "declined"...twice.. (I remember it as "rejected" but I may be wrong) was so cold. I remember that I almost thought about giving up the whole idea. I didn't, obviously, but I never had the nerve to apply to Chautauqua again.

Today, the envelope felt almost empty, which means no show info, no payment info, no info at all. Not good. The only people who get no info are the people who have no need for info. But I was cool. I had tried. I slit the envelope and there it was. The ragged torn slip of paper. "Accepted" smiled at me from under yellow hi-liter beneath the July show. The one I truly wanted. August sat on a blue hi-lited "wait list" which was absolutely fine.

I now have been accepted to every show that once rejected me. This is like a milestone or something!

The work at this show is so awesome, I am thrilled to be a part of it. They have a slideshow of some of the artisans from last year on their site. Where can you find it? Why, just click on the link in my list of scheduled shows. ---->

And, Chautauqua? You can send those accepted letters on pages torn out of the LL Bean catalog for all I care. :) You probably have as many of those hanging around as we do.

bliss & bejewelled for Hospice

Well, it was a lovely event in an amazing home with some truly talented artisans. The only thing missing was people. We had hoped for a better turnout, but we still managed to raise a very decent sum for Hospice and that felt good.

I have to say there was a lot of publicity, thousands of postcards and emails. But perhaps it takes more than that to get people to come to a show on an early Spring day. We had better attendance on Sunday, partly due to a tour of homes that was happening nearby. And if you wanted to tour a home, this one needed to be on your list. What a treasure.

You can see a slideshow of the show and the house by clicking on the link to the right under "Show Photos"

On the plus side, I got to visit with people I truly love...Anne and Michelle and Mary and Chary in particular. Paul Morgan entertained us all weekend. I got to schmooze a bit with a budding entrepreneur, Mary Stephens, who has designed a line of cards that is current and artful and she is growing her business with smarts and art. Not always an easy combo.

People liked my little matchbooks, so I am making more for Virginia. I also saw which frames sold over others, which helped me focus my last minute frame making. I can't believe we leave Friday morning!

Back to the attic with me.

the eve of the season

Well, here we go. First show of the year is tomorrow. A benefit sale for Hospice organized by the ever lovely Anne Bliss and Mary Czajkowski of Bliss & Bejeweled. It's at the Gillespie home at 190 Bryant. This is one gorgeous residence and I'm looking forward to seeing it. I know it will make me want to torch my place, but it will be lovely to be there.

So, as is always the case before the first show, nothing went right. My printer...oh it was lucky to survive my rage today. It chewed up my vellum paper like a gerbil on a corn cob. Card stock couldn't get fed through at all for some reason. Sometimes it spit out blank sheet after blank sheet. It was mocking me, I tell you. Like that old Twilight zone episode when the household appliances revolted and conspired to take over.

Then the guy who is painting our house finally showed up, right in the middle of the chaos. He needed me to find a roller. He needed iced tea. And, gee, lunch would be nice. Lunch? You've been here 25 minutes. But I'm a softie and off I went to Burger King. Without money. Came back for the money. Back to Burger King. Back to the painter. He snatched the bag and trotted off to his place around the corner. I swear I heard the printer snicker.

Russell came home, all jazzed and happy about seeing Ralph Nader, wearing a big green Nader for Peace button. I growled at him. The printer sighed with disapproval. The painter came back from his 2 hour lunch.

Sent the painter home, grabbed fish fries from The Towne and off to Mom's in the 'burbs to help her with some paperwork. Don't ask.

Back home to try to get something, anything, done for tomorrow. First had to stop at Russ' studio to get our display stuff. Settled for tagging the books and putting little stickers with our name on the back covers. Had to print the little stickers. Price tags. Got the knuckle buster and charge slips and pens. Russell put our cards in the windows of the frames. I cut the business cards and blog postcards.

I have nothing to wear tomorrow. My fingertips are tacky from glue. I'm not sure I have everything I need. I forgot to get change.

God, I love this!

strike a match

So, I wont have my cases of paper for the book pages in time for Virginia. Usually I buy a case of parent sheets and have them cut to my specs. It gets me about 6-7000 pages. But I can't get it done for 2 weeks. It was stupid to wait so long, I know. Somehow I thought I had enough left over from last year to get a good start. Not quite.
I have bins of covers waiting and no innards. So, I bought a couple of reams and brought them to Kinko's to be cut. I was pondering the 4 1/4 inches of that beautiful heavy linen paper going to waste and an idea came to me. Matchbook journals.

Matchbooks have been around for a while but they never appealed to me because of the tiny size. They are cute, but impractical. But if I made them 4 X 4, now you've got a little purse or pocket-sized widget that has some purpose. Ah ha! I had them cut the "waste" in half and played around with the idea. This is what I have so far:



I'm going to go with just a button closure and no other decoration, but I'll use more interesting papers. And better buttons. I like them. And they are still cute. I think. I have enough paper to make a bunch and see if people actually buy the little guys.

And no waste! Al Gore would be so proud of me.

those snarky art show folk

I was trying to tame my iPhoto albums into some sort of logical files when I ran across a shot that cracked me up.

We were doing the Letchworth Fall Art and Craft Show last October, enjoying the crowds and the scenery and the gorgeous weather but not selling very much. Across from us was an amazing photographer, Jim Saba, who uses only his camera to make works of art, no digital anything, no photoshop. Stunning. His wife was set up next to him. She is a painter, but for this folksy kind of show, she had made really charming, whimsical clocks.

So, we are watching the thousands of people who walked right by and between us every hour.."walking right by" being the key phrase here..carrying candy corn on a stick, witches on a stick, bird feeders on a stick, copper bowls, glass balls, straw pumpkins- all on a stick. The second day, in the afternoon, we were observing the phenomenon and I made the comment that if I could figure out how to put a book on a stick I might do better. We snickered, whined, use choice expletives and went back to work.

A little bit later, Russell cracks up and tells me to check out Jim's booth. This was next to his browse bin:



"Photography on a stick", he explained, "maybe it will sell now."

We loved it. It didn't sell.

Now, this is not to dis Letchworth or the artisans who make garden art. It just shows how choosing the right show for your widget is the secret. October in upstate NY is all about Fall color and Halloween and Thanksgiving and Christmas and snow and snowmen and Christmas gifts and witches and door wreaths for the new season. Traditional craft. And Letchworth delivers that in abundance against one of the most glorious backgrounds in nature. Nothing wrong with that, but totally wrong for us.

We had fun and Jake the wonder dog got to tag along, but we won't be doing that one again. I'll miss it.

Buffalo Indie Market update

Good news! According to a comment posted on this blog, there IS an elevator in the Pearl St building. Perfect. I think it would be very cool if there was good signage next time with a notation about the elevator.

I belong to an online discussion group of NY State professional artists and artisans. One of the members runs a respected full time art market in Rochester that has vendors (I hate that word but I've run out of synonyms) setting up weekly or just on weekends or when there is a special event. I believe there are also permanent members. Anyway, she claims that a lack of committed participants has forced her to include imports and folks who sell them. I hope the Indie Market will be able to avoid that. You get a feeling that this venture is truly a celebration of handcrafted work.

And there is an elevator! :)

whomp!

That's sort of what it feels like when you get a letter from a show you always do and your check falls out and the letter is printed on the cheap paper.

Roycroft. One of my best shows last year, one I've done for several years, one I enjoy, that actually throws us a picnic (!), is so happy to have so many artists applying. So many artists, in fact, that this year I am on the WAIT list.

whomp!

Now, I do not consider myself so terribly special that a rejection is unheard of. But this one was unexpected. So, I did the usual pissing and moaning and pouting and wondering if so-and-so with the boring unimaginative widgets was wait-listed, too. That took about 10 minutes. Then I hit the computer to find June shows that might still let me apply. It's gonna be tough. It's very late in the year for this.

But I found one that I had dropped because it conflicted with 100 American Craftsmen and saw that this year it didn't..Fairport Canal Days. We always did that one and enjoyed it until the conflict happened. They take late apps and I sent an email to see if they would still consider mine. They may or may not. I hope they do, it's a nice one and fun to do.

This is the tough part. You pin your season on being able to do enough good shows to keep body and soul together. It takes years to find the right shows for your work, the right audience. Trial and error. You finally get to the point where you can visualize your season and you begin to count on certain shows without really counting on them. And then you get whomped.

I am prepared to get whomped by Chautauqua. I have girded my loins. Roycroft caught me with my loins ungirded.

I hate that.

re-creation

Took Jake, the wonder dog, to the park this morning. We walked at a leisurely pace, Jake sniffing every blade and twig, me taking pictures. Russell did a speed walk, his form shrinking to a dot in moments, Jake whining to keep up. My family cannot understand why we live in "the city". They watch the evening news in their quiet suburban neighborhoods and hear only the bad things. Well, here's one reason. This is my neighborhood park:




Can't wait for the ice to be gone.

It hasn't been all Indie Markets and walks in the park, though. I've come up with a new design for the photo frames I make. The frames have really evolved since I started. The first ones were square with a small hole in the middle and you dropped the photo into a space I made between the frame and back using popsicle sticks. Really. Ya just shake your head sometimes. Once I found these great door back easels, the whole thing changed for me. They have an offset design which really lent itself to my embellishments. Once I started to add words and phrases to them, they became a bigger seller than the books.

But you cannot just stay where you are and expect to be ahead. I notice that a lot of the people who complain about their sales at art/craft shows have been bringing out the same stuff every year with nary a change on color to distinguish them from last year's show. Don't think the customers don't notice. I can't count how many times I hear "Oh, look what you're doing now!" It makes me feel so good that they remember.

The problem I had with the design I used last year was that it was dependent on some embellishments I picked up at craft stores. That is bad for many reasons, not the least of which is limiting your own creativity. So, I've been mulling it over and I came up with an idea to do a raised collage piece like I use on the books. That decision led to the benefit of being able to utilize poetry and longer phrases on the frame, not just evocative words. I like that idea.

I did up a couple of quick ones, just to see. I like the possibilities, but they've got a way to go yet.




Much to do today. My first show is in 10 days and a week after that we leave for VIrginia. Suddenly the season is upon us. Yikes.

buffalo indie market

We did the "busman's holiday" thing today and visited this new venture in the city. It is on the second floor of a huge restaurant in the type of room you would book for a party. Nice room. Exposed brick, hardwood floors, mood lighting. Oops. Yes, that was a problem. Lighting or lack thereof. I was trying to look at some pottery that seemed really interesting but the artist was set up away from the windows and when she asked the proprietor for light, they brought her tea lights. Leetle-tiny candles. Almost funny. Unless you were hoping to sell your pottery.

The best thing? Lots of new, young faces and lots of interesting work that is different from what you usually see out there. There is concern in the art show community about the graying of the artists. The whole phenomenon of art and craft shows really exploded with the baby boomers and they/we are slowing down, looking to travel for fun instead of tracking the mileage for the IRS. So, it was good to see some youth.

Then there was the music. Loud rap/hiphop with an actual performer, mic in hand, trying to get the shoppers to sing along...or is that rap along? hopalong? Am I really so old? He was very talented, a lot of fun, but so very loud. There would be little or no conversation between artist and shopper and that is very bad for sales. I find that people shop at festivals in part for the connection, they want to talk to the person that threw that pot. It will become part of that piece's history whenever she uses it. The music has to go.

Another problem is that the show is on the 2nd floor and will next be on the 3rd. A recent re-injury of a bad knee that hampers my ability to go down a flight of stairs (but oddly does not hurt climbing up) made me very aware of the fact that this show was going to exclude a lot of shoppers. I don't think they plan to use the restaurant permanently, though, so it's probably a non-issue.

All-in-all, a fun hour. Saw some old friends and some new art. Witnessed what can happen when someone gets an idea and follows it through.

And I learned that I, a woman who used to think that a concert was not good unless you were deaf for a hour afterwards, now has to fight the urge to shout "turn that damn music down!"

God help me, I've become my mother after all.

location, location

So, last year at Allentown, we set up in the wrong spot. It was a lovely spot. Under a tree. And in front of a driveway. We are not totally crazy, the spot had a number on it. 105. My number. Well, it should have been my number except that my number was 015. It is not my place to wonder why a number was painted in front of a driveway or why dyslexia suddenly became part of my life.

Sure enough, 5 minutes into the show, a flotilla of officials with clipboards and walkie-talkies came to stand before me and declare me brain dead. I had to move, they said. This was not a space. I looked down at the bright yellow "105" I looked at the clipboard that said "015". I looked at the cars stranded in the driveway behind me. I sighed.

(whatever you hear about the heavy-handed Allentown officials, know this. They were kind and patient and have a sense of humor.)

I schlepped down to 015, a spot that had no tree. A spot that was near the noisy corner of Allen. I schlepped back and told Russell we were being sent to art show hell and we began to dismantle, even though the folks said we could do it at the end of the day. I knew we would be hot and tired then. And then Russell had an idea. He pointed out that a spot just 2 tents down had gone unclaimed, could we go there? Under the tree? Clipboards were consulted and the OK given. Yes!

We unattached all that had been attached and with neighboring artists each holding a leg of the tent, marched it down 2 spots and set it in place. They helped us drag racks and shelves and the whole thing was done in 10 minutes. HIgh fives all around.

I made sure to note the number of that spot so we could ask for it the next year. It was perfect. On Franklin Street which we love, across from Troop I where there is breakfast in the morning and a row of porta potties tucked into the parking lot. Under a tree. Art show heaven. On the app this year, I gave the number, described the area, asked to be near Virginia, not Allen, etc, etc. I was so sure....

The envelope comes. It is thick, a good sign. When I open it, a red ribbon falls out. "congratulations" . Perfect so far. I pull out the card with my space number. 017. What?? No! I know that 017, Mister, and you are no 107! Expletives ensue. We live in the neighborhood, we go to check it out. (the painted numbers from the art festival are a permanent part of the landscape).

Just what I remembered. No tree. Close to Allen. Broken curb to encourage law suits. Slanted sidewalk that will make my tall artist chair feel like a ride at Darien Lake. Grumbling happens. Acceptance follows. We will make the most of it. That's what you do. No tree? Bring your big umbrella. Hole in the street? Put down a rug. We will be near Cafe 59, a familiar haunt for us. A place with good food and better coffee. There is a parking lot we can use near the spot. I will try not to set up in front of the entrance.

It's all good.

with a little help from my friends..

I was adding a list of fellow artists to this blog and learned that Cheryl and Don Olney from "Louise's Daughter" are bloggers, too. Love these guys. Every year, I hit Cheryl up for some of her tiny wooden or paper figures..I call them the celebrating women...to use in my own work. I use them sparingly, I treasure them, they perch on my work bench all year, making me smile, until I pluck one from the group and use it. Every time, it adds joy and whimsy to my own little creation. I just finished a book that needed a little dancer and I went to my little stash of Olney ladies...



Visit their blog, you will be inspired and you will smile. Actually, you'd have the same response if you met them in person.

bliss and bejewelled

Anne Bliss and Mary Czajkowski are two talented women with heart. Over the years they have grown their jewelry businesses with creativity and a professional marketing approach that many of us could learn from. Early on I tried to form a traveling troupe of artisans willing to bring a show to a public space near you. I called it "Art Gypsies" and I was really bad at it. Anne, one of the original gypsies, is good at it. She and Mary added a charity component and they run their shows like a business. (what a concept). Their artists have contributed to Gilda's Club, Literacy Volunteers, Planned Parenthood, Ronald McDonald House and Hospice.

B&B now have one of the most successful stops on the annual Open Studio tour here every Winter. No small feat.

They have had to make tough choices as interest grows within the arts community. They juggle the wishes of the artists with the needs of the venue, often making someone unhappy in the process, but they understand what needs to be done in order to keep it going. All the while, continuing to make exquisite jewelry.

To the right is a clickable link to the first B&B show of 2008. I am happy to be part of it.

one down

Syracuse has "invited" me. That is good. 2 others due today but no word from either.

There is a lot to wonder about as you wait. Were the pictures OK? Was the work good enough? Is there room for a paper person at this show? You have to submit slides or photos or a CD of images for the consideration of the jury. The jury can be art professionals, seasoned art show organizers or someone's Uncle Phinneas who has a fine eye for arty stuff. You just never know.

These are some of my jury images:







Hope Uncle Phinneas liked 'em.

cue the "Jeopardy" theme

You know, the one they play while time runs out? doodoo doodoo doodoodoo.

That's all I've been hearing in my head this week as I wait for answers from 3 shows. All of them are among my best. All promised an answer by today. None are easy to get into, so this is truly a wait and see. The problem with rejection is only 10% of it is expletive/pout/tirade about the incompetence of people who wouldn't know good stuff if they rolled over on it, 90% is about trying to fill that weekend with another show after most of the deadlines are gone. And while I'm waiting, 2 more apps went out. One in the mail and one online.

(This is why I get nothing done. That 4 hour "The Office" marathon last night has nothing to do with it.)

Some people apply to several shows for the same weekend. The problem with that is the show may not refund your fee if you cancel, so that's hundreds of dollars donated to the promoter or organization running the show. No, I send my money to Katrina victims when I'm feeling charitable, thanks.

So, I wait. And the theme song plays over and over.

I'll take Grumbling & Whining for 500, Alex.